#Dracula unleashed android port series

#Dracula unleashed android port series

The D-pad to moves a cursor around the screen and lets you click a series of icons with the controller buttons. Waste too much time going to useless locations and you’ll either get axed directly, or you’ll be unprepared for the inevitable scene where you’ll get murdered if you don’t have a certain item by that hour. Every location takes a certain amount of time to travel to, and each video clip, lasting around 30 seconds in real time, may take hours of game time. Time is the mechanic used to keep you on track. There’s a whole lot of haystack here hiding any needles, and traveling around randomly will absolutely get you killed. Each address is for a single contact (and their corresponding video) with some characters holding two addresses depending on the purpose of your visit (business or personal).

London’s a big place with lots of addresses to explore. Granted, this does not mean that you don’t have to pay attention. Instead of using your fingers to turn the page, you’ll use them to click to the next scene, and receive the same level of interactivity for either. Seriously, it’s no different than following the linear order of a book, and makes this title more of an interactive gothic novel than a proper game. This effectively ruins any chance you have to explore on your own, or define your own path through the story. Make enough wrong moves, and you’ll eventually get killed. If you pick something out of sequence, you’ll get a generic “piss off” video, where the building super or whatever shows up and tells you such-and-such isn’t home right now, come back later. If you pick the correct building, you get a clue and a suggestion of where to go next. Here, you have but one correct choice in a linear sequence. That at least could justify some brain power. There’s very little investigating that you’ll actually do, especially when you’re not required to make the kind of deductive leaps required in Consulting Detective Vol 2. It’s the same hands-off investigation as the Holmes games, with only a few surface improvements. You don’t interrogate anyone with questions of your choosing. You don’t pour over scenes and uncover clues. The door plays a non-interactive video clip based on your current progress in the investigation.

The carriage takes you back to the travel screen. These icons don’t really control your investigation so much as they control the playback of the next video clip in a roundabout way.Įvery location you can visit is a 2D still containing a carriage and a single door to the building where the person you’ve come to see resides. The entire show is driven by a row of icons along the bottom of the screen, where you can access your journal, travel map, and a few other options we’ll cover in a minute. Unsurprisingly, the gameplay is exactly the same blend of FMV clips and a limited interface to trigger them. A carriage always parked nearby takes you back to the map.ĭracula Unleashed was made by the same team behind the Sherlock Holmes Consulting Detective series (and an in-game newspaper even contains a Sierra-like reference to that game). As you progress, you’ll meet most of the staple characters from Stoker’s novel, involve yourself a little too deeply in their world, and eventually face the Big Guy himself. The game picks up as you get accepted into an odd social society called the Hades Club, and strange deaths start occurring around you and your friends. At some point along the way, you’ve met and engaged a beautiful young debutant. You play as Texan Alexander Morris, roaming about London and looking into your brother Quincy’s death. As you can guess by the title, this FMV adventure is a gothic tale based within the Dracula mythos.